He counted a number of notable Swedish artists within his collection, as well as some by the Dutch master, Rembrandt, who was someone that had inspired him all his life. Zorn also started to spend some of his new-found wealth of artworks from other artists and would hang them within their enlarged home. They purchased a cottage and set about expanding and upgrading it in order to better serve their needs. Eventually, they decided to return to live in Sweden, not far from where the artist himself grew up. Once an artist could count royalty and politicians within his client base, then he would be considered worthy of anyone else.Įncouraged by his cultured wife, Emma, they continued to travel for several years, building the family's wealth and fame as they went.

These frequent journeys also had the additional benefit of building connections for future commissions, ensuring that he eventually became a particularly wealthy individual who was in great demand for those looking to have a portrait painted of themselves or a loved one.

He appeared to become more and more motivated and ambitious as he got older, seeking new avenues of influences wherever possible. He also lived in Paris for several years and produced some inspiring works in this famous art city as well. The variety is initially dominated with the Swedish countryside, as you would expect, but then there are all manner of other regions including Madrid, Algiers, Venice, London and several US cities. Zorn, in avoiding this common pitfall, was also able to increase his output of work too.Ī further interesting aspect of this artist's oeuvre are the locations and influences found within them. Failure to plan appropriately would leave a painter having to make amendments directly on the canvas itself, as Chardin was often criticised for, and this proved incredibly tiresome and emotionally draining. This helped him to plan the piece for which he would be paid, considering the main elements of each composition before commencing the final artwork. He would often tackle individual projects or commissions with an initial sketch or etching before then working on the multi-layered oil version. He was a talented draughtsman, too, and would also have a successful spell within the challenging medium of etching as well. This allowed him to become more of a mainstream artist, as the latter was the tool of choice for most significant names during the late 19th century. Zorn was originally a watercolour painter before making the switch to oils. Most significantly, Zorn studied from 1875 to 1880 at the Royal Swedish Academy of Arts in Stockholm and this was to prove an important stage in his path to prominence. He certainly didn't lack confidence, but there was also lots to work with as discovered by some of his fellow students who first came across his work when developing in art college. As his career developed he would travel frequently, and had soon left behind his simple rural roots, developing a burning ambition to make the most of his early promise. His mother took good care of him, with help from her parents, and they would enjoy a lasting bond throughout his life. One can argue that Zorn's upbringing forced him to learn to be independent, with his father never having been a part of his life.

Ander zorn great art master